Theatricality scene theory analysis on Sai Yeung Choi Street South, Mong Kok
DOI:
https://doi.org/10.18063/eir.v3i4.993Keywords:
Mong Kok, Sai Yeung Choi Street South, Scene theory, Theatricality, Urban transformation, Street aesthetics, Commercial space, Residential identity, Hong Kong urbanism, Cultural geography, Public space, Neighborhood community, Spatial performanceAbstract
This study applies the theatricality framework of Scene Theory to analyze the spatial, social, and cultural characteristics of Sai Yeung Choi Street South in Mong Kok, Hong Kong. Through fieldwork observations and historical research, the essay examines the visual and functional contrast between the street’s commercial and residential areas, revealing how commercial aesthetics dominate and mask the underlying residential identity. It further explores how certain transgressive and integrative elements create a dynamic coexistence between public spectacle and private life. A comparative analysis with the neighboring Tung Choi Street highlights how both sites reflect broader societal changes, government regulation, and urban development. Ultimately, the paper argues that the street scene embodies theatrical values such as glamour, formality, and transgression, all shaped by ongoing socio-cultural transformations in one of Hong Kong’s most vibrant urban districts.
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