Imagism, Oriental Elements, and Feminism in Amy Lowell’s Poems
DOI:
https://doi.org/10.18063/lne.v3i3.822Keywords:
Imagism, Feminism, Orientalism, Amy LowellAbstract
This paper explores the intersection of Imagism, Orientalism, and Feminism in the works of Amy Lowell, with a comparative analysis of her poetry and that of Ezra Pound, the founder of the Imagist movement. At the turn of the 20th century, American poetry underwent a radical transformation as a response to industrialization, modern science, and the cultural upheavals of World War I. Imagism emerged as a major literary movement, emphasizing economy of expression, clarity of language, and the use of vivid, primary imagery. While Pound championed the minimalistic, focal imagery of Imagism, Lowell diverged from him by employing multiple, equally weighted images that form continuous, fragmented perceptions, often infused with emotional depth. Alongside her engagement with Imagism, Lowell’s work was also deeply influenced by Oriental culture, particularly Chinese and Japanese poetry, which she explored through translation and imitation. The paper delves into how Lowell’s poetry reflects her personal affinity for Eastern aesthetics and themes, merging these with her modernist sensibilities. Furthermore, the study examines how Lowell’s feminist perspective shaped her poetic voice, particularly in her exploration of gender roles and the representation of women in her poems. By examining Lowell’s blending of Imagism, Orientalism, and Feminism, this paper sheds light on her unique position within the American literary landscape and her contribution to modernist poetry.
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