On the Structural Force of Spatial Movement in Electronic Music —— Taking the Sound Movement Design Practice of the Multidimensional Music Work Galaxy as an Example

Authors

    Tao Shen WUHAN CONSERVATORY OF MUSIC, Wuhan 430060, Hubei, China

DOI:

https://doi.org/10.18063/lne.v3i4.956

Keywords:

electronic music, spatial movement, structural force, Galaxy, panoramic sound field

Abstract

As an important means of electronic music creation, the structural force potential of "spatial movement" in music has not been fully explored. Taking the work Galaxy as the research object, this paper analyzes its spatial movement design mechanism of "stage extension - immersive sound field shaping - high-speed traversal - mirror reversal", and discusses the theoretical and practical values of spatial movement as the core structural force.

References

Jiaojiao Zhou. Research Outline of 'Hierarchical Interpretation Method' for Electronic Music Works. Performing Arts Technology, 03 (2011): 50-55

Duan Ruilei. Listening to the Sound of Sounds. 2006. Nanjing University of Aeronautics and Astronautics, MA thesis.

Zhang Xiaoxue. On the Transformation of Sound Structural Force from Pitch to Timbre in the Post-Tonal Period. 2023. Shanghai Conservatory of Music, PhD dissertation. doi:10.27319/d.cnki.gsyyy.2023.000109.

Mi Wenbo. Constructing "Music" with "Sound". 2020. Central Conservatory of Music, PhD dissertation. doi:10.27669/d.cnki.gzhyc.2020.000002.

Chen Yaoxian. Research on the Structural Force of Electronic Music. 2024. Shanghai Conservatory of Music, PhD dissertation. doi:10.27319/d.cnki.gsyyy.2024.000027.

Enda Bates. "The composition and performance of spatial music." [2009-08]

Zhang Chongbin. Research on Vector Morphology in the Structural Organization of Phantasmagoric Electronic Music. 2019. Nanjing University of the Arts, PhD dissertation.

[Germany] Edgar Rothermich. DOLBY ATMOS Dolby Atmos Mixing Guide [M]. Posts & Telecom Press. 2024-04.

C. Cruz-Neira, D. Sandin et al. “The CAVE: audio visual experience automatic virtual environment.” Commun. ACM[1992-06-01]

Ma Shihua. Research on Audio-Visual Interactive Control Strategies in Interactive Multimedia Works Creation. 2017. Central Conservatory of Music, PhD dissertation.

Liu Xiaochu. The Application of Polyphonic Thinking in the Creation of Hybrid Electronic Music. Music Creation, 08 (2017): 120-123.

Lin Qianru. Exploration of Sound Art Expression in Immersive Music. 2022. China Academy of Art, MA thesis. doi:10.27626/d.cnki.gzmsc.2022.000600.

Qian Renping. Timbre Texture and Structural Approach of Echo of the Wind—Concurrent Discussion on the Structural Function of Texture in Modern Music Creation. Art of Music (Journal of Shanghai Conservatory of Music), 03 (2003): 72-79+5. doi:10.19359/j.cn31-1004/j.2003.03.008.

Liu Xinrun. Research on Spatial Design of Music Production under Panoramic Sound Technology. 2023. Nanjing University of the Arts, MA thesis. doi:10.27250/d.cnki.gnjyc.2023.000393.

Liu Sijun. The "Mirror" Concept in the Multi-Channel Interpretation of Electronic Music Works—Midnight at Banpo with a Full Moon Composed by Liu Jian. Jiao Xiang (Journal of Xi'an Conservatory of Music), 33.03 (2014): 120-123.

Downloads

  • PDF
  • " /> [5]Chen Yaoxian. Research on the Structural Force of Electronic Music. 2024. Shanghai Conservatory of Music, PhD dissertation. doi:10.27319/d.cnki.gsyyy.2024.000027.
    [6]Enda Bates. "The composition and performance of spatial music." [2009-08]
    [7]Zhang Chongbin. Research on Vector Morphology in the Structural Organization of Phantasmagoric Electronic Music. 2019. Nanjing University of the Arts, PhD dissertation.
    [8][Germany] Edgar Rothermich. DOLBY ATMOS Dolby Atmos Mixing Guide [M]. Posts & Telecom Press. 2024-04.
    [9]C. Cruz-Neira, D. Sandin et al. “The CAVE: audio visual experience automatic virtual environment.” Commun. ACM[1992-06-01]
    [10]Ma Shihua. Research on Audio-Visual Interactive Control Strategies in Interactive Multimedia Works Creation. 2017. Central Conservatory of Music, PhD dissertation.
    [11]Liu Xiaochu. The Application of Polyphonic Thinking in the Creation of Hybrid Electronic Music. Music Creation, 08 (2017): 120-123.
    [12]Lin Qianru. Exploration of Sound Art Expression in Immersive Music. 2022. China Academy of Art, MA thesis. doi:10.27626/d.cnki.gzmsc.2022.000600.
    [13]Qian Renping. Timbre Texture and Structural Approach of Echo of the Wind—Concurrent Discussion on the Structural Function of Texture in Modern Music Creation. Art of Music (Journal of Shanghai Conservatory of Music), 03 (2003): 72-79+5. doi:10.19359/j.cn31-1004/j.2003.03.008.
    [14]Liu Xinrun. Research on Spatial Design of Music Production under Panoramic Sound Technology. 2023. Nanjing University of the Arts, MA thesis. doi:10.27250/d.cnki.gnjyc.2023.000393.
    [15]Liu Sijun. The "Mirror" Concept in the Multi-Channel Interpretation of Electronic Music Works—Midnight at Banpo with a Full Moon Composed by Liu Jian. Jiao Xiang (Journal of Xi'an Conservatory of Music), 33.03 (2014): 120-123." />

Published

2025-05-26

Issue

Vol. 3 No. 4 (2025): Lecture Notes in Education, Arts, Management and Social Science

Section

Articles